1814-1875 French Jean Francois Millet Galleries Millet was the first child of Jean-Louis-Nicolas and Aim??e-Henriette-Adelaide Henry Millet, members of the peasant community in the village of Gruchy, in Gr??ville-Hague (Normandy). Under the guidance of two village priests, Millet acquired a knowledge of Latin and modern authors, before being sent to Cherbourg in 1833 to study with a portrait painter named Paul Dumouchel. By 1835 he was studying full-time with Lucien-Th??ophile Langlois, a pupil of Baron Gros, in Cherbourg. A stipend provided by Langlois and others enabled Millet to move to Paris in 1837, where he studied at the Ecole des Beaux-Arts with Paul Delaroche. In 1839 his scholarship was terminated, and his first submission to the Salon was rejected. After his first painting, a portrait, was accepted at the Salon of 1840, Millet returned to Cherbourg to begin a career as a portrait painter. However, the following year he married Pauline-Virginie Ono, and they moved to Paris. After rejections at the Salon of 1843 and Pauline's death by consumption, Millet returned again to Cherbourg. In 1845 Millet moved to Le Havre with Catherine Lemaire, whom he would marry in a civil ceremony in 1853; they would have nine children, and remain together for the rest of Millet's life. In Le Havre he painted portraits and small genre pieces for several months, before moving back to Paris. It was in Paris in the middle 1840s that Millet befriended Constant Troyon, Narcisse Diaz, Charles Jacque, and Theodore Rousseau, artists who, like Millet, would become associated with the Barbizon school; Honor?? Daumier, whose figure draftsmanship would influence Millet's subsequent rendering of peasant subjects; and Alfred Sensier, a government bureaucrat who would become a lifelong supporter and eventually the artist's biographer. In 1847 his first Salon success came with the exhibition of a painting Oedipus Taken down from the Tree, and in 1848 his Winnower was bought by the government.  Related Paintings of Jean Francois Millet :. | Night | Young woman powdering herself | Cow | Sunset | Peasant |
Related Artists:
John William Inchbold
1830-1888 English painter. He spent his early years in Leeds, where his father was a newspaper proprietor, but came to London around 1846 to study lithography in the firm of Day & Haghe. His obituary in The Athenaeum records that he went on to study at the Royal Academy Schools, but his name does not appear in the registers. He exhibited watercolours at the Society of British Artists in 1849 and 1850 and at the Royal Academy in 1851. At this period his work has a fluidity and a freedom of handling that is closer to Richard Parkes Bonington than to the prevailing style of Victorian watercolours. Around 1852 he came under the influence of the Pre-Raphaelite movement and radically altered his style. His oil painting of the Chapel, Bolton (exh. RA 1853; Northampton, Cent. Mus. & A.G.) is a meticulously rendered view of the abbey ruins in the Pre-Raphaelite manner. This was followed the next year by At Bolton (Leeds, C.A.G.), another view of Bolton Abbey, this time with a deer prominent in the foreground. Both paintings illustrate lines from William Wordsworth's poem 'The White Doe of Ryleston'. Wordsworth was also the inspiration for the small painting Study in March
Abraham Brueghel
(1631-1690) was a Flemish painter from the famous family of artists. He was the son of Jan Brueghel the Younger, the grandson of Jan Brueghel the Elder and the great-grandson of Pieter Brueghel the Elder.
Ranney William Tylee
German-born American Painter, 1813-1857 American painter. He spent six formative years in the hill country of North Carolina. By 1834 he was working and studying drawing in New York, but two years later he went to Texas to join in the war for independence. Although he returned to New York a year later, it was not until 1846, with the outbreak of the Mexican War, that Ranney began to use his Western experience as the basis for his painting. With the encouragement of the American Art Union, he executed three types of Western subject: the Western trapper or hunter, pursuing a dangerous life on the prairies, as in Trapper's Last Shot (1850; untraced; engraved and lithographed by T. Dwight Booth); the pioneer family, heading across the plains with children, dogs and goods, as in Advice on the Prairie (1853; Malvern, PA, Claude J. Ranney priv. col.); and the dangers of emigration, for example Prairie Fire.